![]() “Goldman’s a jokester,” Woodward explains in his measured Midwestern cadence, referring to the motion pictures Goldman had already written for Redford, “Butch Cassidy and the Sundance Kid” and “The Great Waldo Pepper.” Alan J. ![]() With ballpoint pen in hand, Woodward had pored over the screenplay, scrawling “No!” or “Wrong” in the margins every few pages, usually where Goldman had inserted a made-up scenario or “His Girl Friday”-type banter for his and Bernstein’s characters to deliver. ![]() Sitting at a table in the sunroom of his Georgetown home, Woodward glances through Goldman’s 161-page script, recalling when “All the President’s Men’s” producer and star Robert Redford sent it to him for his input. ![]() 6 Sedition SuspectĪ Glimpse of a Potential Post-Roe Future Through Texas Women’s Stories
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